 |
Wayne "The Train" Hancock has
been called "the master of hillbilly swing," a "roots
Renaissance man," a "country singer's country singer"
and "Hank Williams meets Gershwin." But the phrase most
frequently echoed throughout his career is "Wayne Hancock
is the real deal." Joe Ely said it, Hank Williams III said
it, Bobby Koefer from the Texas Playboys said it, as have countless
music fans and writers when referring to Hancock's authentic and
original blend of honky tonk, western swing, blues and big band
that he calls "juke joint swing!"
Authenticity and sincerity have been the cornerstones of Hancock's
writing and music since the start of his career. His refusal to
compromise his vision and sell |
out his music has earned him a fiercely loyal underground
following.
Hancock's vision, as he puts it, is "to bring people together
and make them feel good about music. It's a spiritual thing and
without spirituality, you've got nothin'. There ain't much on
the radio that strikes me as being original or from the heart,
most of it's from the pocketbook and it shows."
Wayne is proud of his rural roots and culture and has thoroughly
absorbed the spirit of country music's forefathers such as Ernest
Tubb, Hank Williams and Jimmie Rodgers. Never a mere imitator,
the cutting-edge style that emerges is every bit his own. He
breathes youth and driving energy into traditional country forms
and adds a dash of big band horns, boogie woogie piano, scorching
rockabilly beats, heavenly Hawaiian steel licks and some wigged-out
hillbilly jazz guitar.
Hancock figures he started writing songs around the age of
twelve, and he did a lot of traveling around Texas, playing
juke joints and belting out his originals for anyone who'd listen.
At 18, he won the "Wrangler Country Showdown" but
couldn't claim the prize because he'd already enrolled in the
Marines. After a six-year hitch with Uncle Sam, he moved to
Austin, where he reacquainted himself with music and won a role
in the 1994 theatrical production of Chippy. He performed alongside
Terry Allen, Butch Hancock, Joe Ely and Robert Earl Keen and
Rolling Stone proclaimed, "The nasal honky-tonk of newcomer
Wayne Hancock practically steals the show."
|
In 1995 Wayne debuted with "Thunderstorms and Neon Signs",
a remarkable CD produced by steel guitar legend Lloyd Maines (Joe
Ely, Wilco and Richard Buckner). The release was met with critical
acclaim. Newsweek called it "the most promising debut of
the season." Two-hundred-fifty dates throughout the country,
including brilliant performances on Austin City Limits and NPR's
Prairie Home Companion, led to well over 22,000 copies sold of
his debut release on a tiny independent Texas label. In 1997,
Wayne signed with ARK 21, an eclectic and well-anchored label
owned by former Police manager Miles Copeland. Miles and his staff
were impressed with Wayne's genuine ability for writing and performing
and have dubbed him "arguably the hardest-working man in
show business" for his willingness to tour solidly and his
insistence on efficiency and |
 |
|
untainted live energy in the studio. "That's What Daddy
Wants", Hancock's sophomore release, was recorded in a
startling three days. A brilliant example of his Texas swing
and juke joint rockabilly, the album was even a staple on the
space shuttle Columbia, the bugle call of its title track used
to wake the astronauts. After "That's What Daddy Wants"
generated even more critical success than the first release,
ARK 21 decided to reissue "Thunderstorms and Neon Signs"
on their label.
The past several years have been a time of personal evolution
and growth in Wayne's life. He was self-managed since the beginning
of 1998 and later that year he lost his father to cancer. He
has still been gigging solidly throughout the country and has
been doing his own driving, tour managing and taking care of
business in exactly his own way.
While various musicians drop in on Wayne's shows from time
to time, his core band for touring is comprised of the phenomenal
Eddie Biebel on lead guitar and the rhythm slappin' Huck Johnson
on Standup Bass. Do yourself a favor - whenever this great trio
is in or near your town, go to the show!
|
|